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As Canada’s only 3D reseller running the Mimaki 3DUJ-553 equipment in-house, Objex Unlimited, is excited for the announcement of the new full-color (colour) Mimaki 3DUJ-2207 UV Inkjet 3D Printer. Extremely thrilled with the quality of parts being produced on our larger format 3DUJ-553, Mimaki’s lineup now comprises of the 3DUJ-2207, and 3DGD-1800 3D printers. Read the full press release below:

Source: https://www.mimakieurope.com/

  • The new Mimaki 3DUJ-2207 3D Inkjet Printer boasts full-colour high definition production in a sleek, compact design, with over 10 million colours
  • The machine delivers an affordable, scalable solution to drive accessibility to 3D printing and deliver its cutting-edge technologies to a host of new customers

Mimaki Europe, in conjunction with Mimaki USA, a leading manufacturer of inkjet printers and cutting systems, today announces the launch of its new compact, full-colour 3DUJ-2207 UV Inkjet 3D Printer. Previously the first to bring over 10 million colours to the 3D printing market with its larger-scale industrial counterpart, the 3DUJ-553, Mimaki now combines the same impressive colour range and renowned build quality in a compact, affordable solution. With this latest offering, Mimaki aims to extend the reach and accessibility of its cutting-edge 3D printing technologies to an entirely new segment of customers.

The innovative 3D printing solution represents a huge step forward for detailing and post-processing, with the unique combination of its full-colour capabilities and water-soluble support materials enabling super-fine details to be printed in vibrant colour, and then beautifully preserved without the substantial breakage risks usually associated with manual cleaning, painting and finishing. With additional features such as Mimaki’s trademark clear resin, which can be utilized alone or mixed with colours to achieve varying levels of transparency, the new 3DUJ-2207 3D printer presents a robust, advanced 3D printing solution with an affordable price tag – all within a machine sufficiently compact to fit in an office elevator.

“Here at Mimaki, we do not stop at developing disruptive technologies – we make it our business to look even further beyond this, continually striving to find ways in which we can then accelerate the adoption of these technologies and drive the wider industry forward,” comments Danna Drion, Senior Marketing Manager at Mimaki Europe. “Our new 3DUJ-2207 3D Printer is a prime example of this. We had already raised the bar in 3D printing by delivering the world’s first 3D printer with over 10 million colours – but now, with the introduction of our new 3DUJ-2207 3D Printer, we are bringing these 10 million colours to a host of new customers, which in turn means new applications and an even quicker uptake of 3D printing technologies as a whole.”

Set to be commercially available worldwide [Canada] from January 2021, the 3DUJ-2207 has been designed with functionality at its core, with the compact design and reduced 203 x 203 x 76mm build space just two of many key features which demonstrate its unique versatility and make it ideally suited for office environments. The 3D printer’s quiet performance and optional deodoriser minimize some of the primary disruptions usually associated with 3D printing technologies, ensuring maximum workability in busy workspaces.

Utilizing UV-curing inkjet technology, the expansive high-definition colour expression made possible with the Mimaki 3DUJ-2207 3D Printer is around twice that of powder bed manufacturing methods. This provides new possibilities for prototyping and enables the accurate reproduction of subtle colour differences which are critical for many industrial design applications such as medical and architectural modelling. Additional applications include small-scale models for design offices and educational settings, as well as collectible figures.

Drion concludes, “By combining our technological expertise with a wealth of industry experience and market insight, we have been able to create an innovative, inspired solution that merges functionality, affordability and design in a way that really will be game-changing for a lot of creators. This launch will deliver a world of new possibilities to designers and product developers, for many of whom the idea of high-definition full-colour 3D printing might previously have been out of reach, and that is something we are extremely proud of.”

The Mimaki 3DUJ-2207 3D Printer will be exhibited online at Formnext Connect and as part of Mimaki’s latest virtual event, the Mimaki 3D Experience, from 10th November to 16th December.

3D Printing in the retail space is nothing new, but we continue to see innovation in the footwear space, and how 3D Printing continues across more than just product design and development divisions.

At the forefront of the footwear industry, Adidas has been using 3D printing for years now and has even released shoes like The 4D run using cutting edge 3D printed midsoles. Nowadays brands like Reebok are utilizing advancements in full-color 3D Printing for promotional, marketing, and advertising material outside of just the product development stages.

video by @duaneshootstoys

Objex Unlimited was fortunate enough to work on this project for Reebok Canada to re-create miniature mockups of the release of The Zig for their recent viral Tik Tok campaign seen below:

video by @duaneshootstoys

The team at Reebok came to Objex Unlimited with a pair of “Zig’s”, and a concept of creating a miniature pair for their social influencers’ upcoming video campaign. They provided a few image examples and creative freedom on making it happen, and within a few weeks, we were able to deliver just that. A fresh pair of 3D Printed mini-kicks.

Here is the original Zig reference by Reebok:

You can purchase The Zig here

  The process looked something like this:

THE SHOE

  • Since access to the CAD file was not readily available in time for their campaign we needed to create a 3D file from scratch. So we whipped up the digital asset to kick off the project. 3D scanning took place within a couple of minutes of having full access to the physical shoe. Our team was able to utilize our in-house Artec Eva and render up a 3D CAD file within a few hours. You can see the scan images below to get a better understanding of the data captured.  
  • Geometry was created using several stitched together scans 
  • The texture was also captured during the initial scan output and processed using Artec Studio 
  • Following scan capture, we ran a couple of test prints from the raw processed scan to see the quality of the original texture captured and its translation over to our new Mimaki 3D Printer. The results were pretty good but not quite perfect.
  • This file was then brought into Zbrush where our team of digital sculptors cleaned up any imperfections in the geometry and added additional touchups to the model. Due to low light conditions during the scanning process, the vibrance of The Zig was not quite perfect. Our sculptors added additional saturation to the shoes’ orange hues, soles area, and logos to give that extra pop of colour.
  • Our production team then reran the models on both the Mimaki 3duj-553 and the 3D Systems Project 660 to compare outputs and evaluate finishing options.

THE BOX

The second portion of the project consisted of a matching box to accommodate the pair of shoes. We produced a few variations in both traditional 2D and also 3D printing. Using the original box as a reference our sculpting team was able to replicate the design and graphics in zbrush for 3D production. You can see the final output below.